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Windy Nights Poem Analysis Essay

Rhapsody On A Windy Night Essay

Rhapsody (praise something/excessively enthusiastic expression/composition in music that is free/irregular) on a Windy Night - T.S.Eliot (modernist; playing with time/form/structure)

Profound tragedy/suffering

Society bleak/dispassionately regarded/filled with soullessness/lifeless characters who impose their own exile through their incapability of communication under the pressure and scrutiny of their own memory, represented as a type of phantom in the poem, who overhangs them like a ghost however the moon is an exception, clinging desperately to the image of life "the moon holds no grudge"

Free verse

Title reflects poem's form; rhapsody is irregular/unstructured

Poem starts jumbled/juxtaposed images (midnight / street lamp / lunar) in lines of irregular length with no rhyme/repetition

Irony; "rhapsody" suggests mood of enthusiasm/frenzy not conveyed by poem itself; creating suspense, tragedy and anti-climax in poem

Situation potentially romantic (midnight stroll) - actually dominated by decay/isolation/despair

Only connotations of wind "sputtered" despite emphasis in title

Contrast

Title and context

Childlike innocence and filth/decay; stanza 4

Light of street light and midnight; stanza 1

"Twelve o'clock" - symbolises connotations of "lunar"

"lunar" - mystery/ambiguity

"madman" - protagonist's first human encounter is madman/social outcast

"dead geranium" - very dark tone; difficult to kill a geranium yet geranium is dead in poem / awkward imagery portrays theme in which memory unpredictably resurfaces for persona - decaying society

"twists like a crooked pin" - negative simile

"throws up" - sick?

"twisted" / "twisted" - insane/dark?

"as if the world gave up"

stroller giving up on world/life

seeing the...

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From the opening line Eliot engages the audience by having an auspicious beginning. By using “twelve o’clock”, he has taken an ungrammatical sentence and used it as a bridging between two days. He does this as a way of setting up the novelistic functions within his poetry, a common feature of his writing. He continues with his narrative technique by following the time by the place in which the poem is set. The “lunar synthesis” referred to in the first stanza is used to emphasize the correlation of two things; evolution and Christianity.

By having “whispering” as the next word it gives a hint of secrecy as well as giving the possibility that there is a sense paranoia within the link between the two that constitutes the start of the misconceptions and loss of certainty. This is then followed through the poem by the mention of memory; an element that comments not only on the altered state of consciousness, but in a broader sense, “it’s division and precisions” highlights the view of the modern mind, in that it is dissolving into a more poetic state for deeper understanding.

The auditory imagination inspired with Eliot’s reiteration of memory is further enhanced by the madman. It brings an oppositional aesthetic quality when Eliot delves into the idea of death and “shaking the dead geranium” as a way of bringing something back to life, while still being able to capture the fluidity of the poetry to keep a rich sonorousness quality to his work. The personification of the street lamps is used to emphasize the surreal, almost dream-like representation of life.

By going on to introduce what is viewed as a prostitute uncertain about her solicitation, Eliot is reprimanding the reader into the dangers of fornication, a direct link to the epigraph from The Jew of Malta mentioned in another of Eliot’s poems; Portrait of a Lady, while simultaneously commenting on the implications these surreal images of life impose. The human qualities given to the door are used as a symbol for memory, in that when memory goes, everything is open for interpretation even those wanting to remain hidden.

Eliot delves into the taboo subjects commenting on the deformed humanity which is then enforced with “the corner of her eye” which “twists like a crooked pin”. He uses the “twist” as a motif for the hurt and betrayal that the deformity has created which can then be seen to have shattered the window to the soul. Eliot uses time as a preoccupation throughout many of his poems, however it is intensified in ‘Rhapsody.. ’ with the beginning of each stanza highlighting this.

The “rust that clings to the form” is used to show that something has declined, the degradation because of time that has then caused life to be drawing to an end; “ready to snap”. The idea of death is embedded throughout the poem up until the final line of the poem. Having something so profound like “the last twist of the knife” as the ending helps to create dramatic tension, but to also cease the evolution of time throughout the poem into complete silence, to represent the silence after the last heart beat.

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